A#
F
G#
A#
D
E
C
F##
A#
F
C
G#
E
D
F
C
F##
D
A#
G#
E
F##
D
E
F
C
G#
A#
F
E
F##
D
A#
F
C
F##
G#
G#
E
C
F##
D
A#
F
G#
A#
D
E
C
F##
A#
F
C
G#
E
D
F
C
F##
D
A#
G#
E
F##
D
E
F
C
G#
A#
F
E
F##
D
A#
F
C
F##
G#
G#
E
C
F##
D
A#
F
G#
A#
D
E
C
F##
A#
F
C
G#
E
E Altered Scale notes: E F F## G# A# C D. Formula: 1 b2 #2 3 #4 b6 b7. Chords in this scale: Edim, Fm, F##m, G#aug, A#, C, Ddim.
The altered scale (super Locrian) keeps the root, 3 and b7 of a dominant chord and alters everything else: 1 b2 #2 3 #4 b6 b7, that is b9, #9, #11 and b13. Jazz players use it over a dominant chord that resolves, like G7alt to C. It is the seventh mode of melodic minor: G altered uses the notes of Ab melodic minor.